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    A grandly ridiculous theatrical tradition born in ancient Greece, deus ex machina meant, literally, a god borne by a machine descending from the sky to determine a story's outcome.

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    An extremely tasty slice of fanboydom, Joe Angio's music documentary "Revenge of the Mekons" presents the amoeba-like wonder of the title band (the Mekons, that is, not revenge) as a creative anomaly in the music business.

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    Review: 'Child 44'

    Part serial-killer thriller, part old-school anti-Soviet propaganda, "Child 44" plays like a curious relic of an earlier Cold War mindset, when Western audiences took comfort that they were living on the right side of the Iron Curtain and relied on movies to remind them as much.

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    Inconceivable without their international success with "The Red Shoes" three years earlier, Michael Powell and Emeric Pressburger's audacious screen version of the Jacques Offenbach operetta "The Tales of Hoffmann" came out in 1951. The following spring Hollywood's company picnic, also known as...

  • Review: 'The Wrecking Crew'

    To Beach Boys guru Brian Wilson, "they were the ones with all the spirit and all the know-how." To Nancy Sinatra, they were "unsung heroes," to Herb Alpert, "an established groove machine." And to celebrated songwriter Jimmy Webb, they were simply "stone cold rock 'n' roll professionals."

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    Review: 'College'

    Buster Keaton is running in all directions at the moment. While the gravely beautiful and peerlessly graceful silent star wouldn't be caught dead shouting hip-hip-hooray, his fans can take care of that on his behalf.

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    Review: 'Marfa Girl'

    Funny thing about "Marfa Girl," the 2012 ensemble drama from idiosyncratic writer-director Larry Clark ("Kids," "Bully"): For all its meanderings and indulgences — verbal and visual — this free-form snapshot of a circle of townsfolk in tiny Marfa, Texas, proves a sneakily immersive, weirdly memorable...

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    The art side of the moon

    At the Institute of Contemporary Art in Miami, Ryan Sullivan's abstract paintings explore cosmic worlds.

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    The monk who sold the world

    Nicholas Vreeland walked away from a life of luxury to pursue enlightenment. He brought his camera with him, and the resulting images are on view in West Palm Beach.