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  • 'The Bye Bye Man' review: Don't bother to say hello to this horror wannabe

    'The Bye Bye Man' review: Don't bother to say hello to this horror wannabe

    The newest movie villain to haunt your nightmares is a pasty demonic spirit who looks like Voldemort and dresses like the Grim Reaper. Stalking his victims, he jumps out of closets and photobombs their pictures, making them see things that aren't real, until they go mad with homicidal rage. His...

  • 'Monster Trucks' review: Fun fuels this effects-driven action-family hybrid

    'Monster Trucks' review: Fun fuels this effects-driven action-family hybrid

    One of the best things about the 1988 comedy "Big" was Tom Hanks' main character, a kid stuck in an adult's body who used his playful imagination to rise through the ranks of a toy company. At one point, he pitches the idea of a robot toy that turns into a bug, arguing that kids will prefer something...

  • 'Ma' movie review: Modern dance meets religious allegory

    'Ma' movie review: Modern dance meets religious allegory

    Celia Rowlson-Hall has the body of a tomboy, the brain of a feminist and an imagination quite unlike anyone else. In her dance-based, dreamlike feature debut, the svelte young woman tends to appear either draped in an oversized pink T-shirt or stripped down to a pair of men's Y-front briefs and...

  • '20th Century Women' review: Annette Bening leads a village in raising teen son

    '20th Century Women' review: Annette Bening leads a village in raising teen son

    Set in Santa Barbara, Calif., in 1979, the easygoing, wonderfully acted "20th Century Women" is a movie about a boy and the estrogen in his life. The boy comes from writer-director Mike Mills' memories of growing up in a benevolent, amorphous, vexing, highly stimulating matriarchy. The filmmaker...

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